IMGP2412
September 15, 2012
VIRTUAL OPEN-STUDIO
Check out my new website: livesofpi.weebly.com for a virtual open studio. Weekly photo up-dates of work in progress. See my process as paintings grow and change.
SHAPE CLOSING
May 5, 2012
This exhibition has done much to revive my belief in Art. I have always felt vaguely excluded by the ArtWorld : exhibition opening nights seemed to be all about middle class white men and this has hardly changed in thirty years.
On Thursday night I felt totally included and the people around me for once seemed to represent my world. Men and women, black and white, able bodied and disabled, young and old, all together to celebrate wonderful artworks. And the Art was fabulous, for once I found nothing to criticize and anybody who knows me will find that surprising, the quality of the work on display made me feel humble to be included. The exhibition was beautifully and thoughtfully mounted (thank you Ben) it was extraordinary to see Christopher Samuel’s drawing, ‘A room with no view.’ hung at his eye-line. Thanks to SHAPE for allowing me to be part of this exhibition and for all the wonderful wprk they do and thanks especially to all those directly involved in making this a wonderful, life-affirming experience.
SHAPE OPEN
April 8, 2012
The triptych ,’Arthur and the Vandellas.’ has been accepted for the SHAPE Open exhibition in April. A triple portrait of performer Tonny A , a wonderful performer who has no forearms due to Thalidomide. Tonny appears as Arthur and as the Vandellas. Based on the famous girl group from the sixties whose biggest hit was ,’Dancing in the Street.’ The piece is an affirmation that we can all be whatever we chose regardless of Race, Gender or Disability.
SHAPE OPEN
Portobello Gallery
6 Thorpe Cose
W10 5XL
24th April – 6th May 12-6 pm
closed Mon 30th April
A new Miss Havisham
January 5, 2012
Just watched the latest television adaptation of Great Expectations. A very modern telling but it could have been longer, four episodes would have allowed space for character development. Many critics have sais that it has strayed to far from the original book but I tend to think that it isn’t the original book we think of but the David Lean film. I’d have to re read the book to know how far it’s moved but I found the language contemporary and the rawness . It’s a shame that both Miss Havisham and Pip were both more beautiful than Estelle but the whole thing was worth it if only for the scene of Miss Havisham’s self-immolation, fabulous.
I LOVE GRAYSON PERRY
November 3, 2011
I’ve just watched the IMAGINE programme about Grayson Perry’s new exhibition at the British Museum. I was literally (well not literally) blown away. Grayson says everything I have always thought about Art and the Art World. Oh to be part of that World on my terms the way Grayson is. To value my craft and have it valued, To get beyond the vacuous celebrity based, so called art that fills the galleries.
Grayson I love you, love you , love you. Say it loud say it proud.
MIXANTHROPY
August 25, 2011
21st Century Baroque (the 1st ten years)
August 22, 2011
On deciding to get back into painting for the new millenium, I through everything at my work. Wooden constructs painted in rich oils with added objects such as candleabras, wooden eagles, chains, feathers and electric lights. The imagery taken from Greek and Pagan myth gave me an excuse to paint iconic images of the semi-naked male figure ( same excuse as used by the Victorian painters at the turn of the last century.) Gradually I moved from using existing myths in an attempt to create a new mythology around the black male. Finally using real models I concentrated on bringing out their personal qualities as hard working men striving to achieve in their chosen fields as singers, poets, dancers, soldiers, labourers and mechanics: an attempt to portray the spiritual, intellectual and human nature of black men away from the macho posturing of gangsta rappers.
As you will see from this blog my current preoccupations are pretty far removed from this Baroque work, but as a painter I see myself returning to oil in the coming year.